Hang the signal base stations
Mount four base stations roughly 15 m apart around the performance zone, with a maximum practical range of 25 m in a stage environment.
Why it matters: station geometry defines the usable 2D tracking footprint.Your DMX moving heads already have the throw and the speed — TraceLock adds the intelligence with auto light tracking, turning the fixtures hanging in your venue into automatic follow spots using the sytemtracelock system from Lite-Vision: no follow-spot operator, no camera in the signal path, no fixture modification — and the DMX console you already own stays fully in command.

The workflow is designed for the integrator who needs a predictable commissioning plan before show day. Follow the sequence once, then repeat it for every new venue.
Mount four base stations roughly 15 m apart around the performance zone, with a maximum practical range of 25 m in a stage environment.
Why it matters: station geometry defines the usable 2D tracking footprint.Digitally outline the performance zone in the TraceLock host software so the system knows where tracking and zone triggers are active.
Why it matters: clean boundaries stop lights from firing in wings, aisles or audience areas.Run the LAN links from every base station to the same network as the TraceLock host; each station’s built-in switch simplifies the cabling path.
Why it matters: one reliable network means low-latency position data for every tag.In the host software, patch the moving heads that should participate in tracking and group them by zone or by fixture personality.
Why it matters: mapping happens in software — the physical DMX fixture inventory never changes.Hand each performer a beacon tag and map it in the software to a named target or show-cue profile.
Why it matters: the host can track up to 4 targets simultaneously, depending on beacon count.Flip the chosen fixtures into tracking mode from the software or the DMX console and let the follow-spot effect run hands-free.
Why it matters: fixtures stay dual-mode, so normal show cues return instantly when tracking is released.Match your stage reality to the TraceLock specification that solves it. Each scenario pairs a concrete use case with the spec numbers that should drive your quote.
Your programmer keeps the console and the original cues. Tracing effects are added as an extra control layer for selected movers.
Several performers move across a wide stage at the same time. Each one carries a tag and the system follows them without a follow-spot operator.
Presenters roam a large stage or multiple presentation zones; area fixtures and static washes react only when a tagged person enters their zone.
A fast, datasheet-free lookup for the show file, patch list and venue survey.
| Parameter | TraceLock spec | What it means for your plan |
|---|---|---|
| Simultaneous tracked targets | Up to 4 (depends on beacon count) | One beacon per performer; budget for more than 4 if four moving artists are on stage at once. |
| Fixtures per host | Up to 60 fixtures | Enough for multi-zone tracking on a full moving-head rig, not just one “spot”. |
| DMX capacity | DMX512-out · 1024 channels | Add up the channel count of every assigned moving head before finalising the patch. |
| Coverage | ≈200 m² base (4 stations) • up to 900 m² / 30 m × 30 m (8 stations) | Use the venue’s practical performer area — not the full building footprint. |
| Base station placement | Recommended 15 m spacing • max 25 m in stage environment | Plan truss, stand and cable positions to hit 15 m spacing at the start of the plot. |
| Beacon update rate | 10 ms | Sufficient for fast movement — the FAQ confirms tracking works while a person runs. |
| Tracking effects | Up to 32 effects • automatic tracking across zones | Software cue structures replace per-fixture manual chase programming. |
TraceLock is sold through a quote-based path — not a generic shopping-cart checkout. Send your fixture inventory and venue dimensions, and an applications engineer will confirm base-station count, zone layout and DMX channel planning before you order.
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